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პრევენციული ღონისძიებები შემსრულებლის პირადი უფლებების დასაცავად ინტერნეტსივრცეში
Date Issued
2020
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Advisor(s)
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Abstract
The paper deals with the protection of the personal rights of the performer in the Internet, as well as preventive measures connected to it. The personal rights of the performer, their protection under national and international law, as well as appropriate EU directives are discussed. The study focuses on the specific rights of the performer and the facts of their violation, as well as the relationship of the legislation with these violations.
The aim of the paper is to review the effectiveness of the means of protecting the rights of the performer, to identify the rights violated in the Internet space, to make recommendations on this issue. Qualitative research methods are used in the development of the paper and the information obtained from both primary and secondary sources is discussed. The problematic and topicality of the issue is shown, which is also confirmed by the fact that there is no legislation that regulates the Internet space and which protects the rights of the performer in the digital world.
With the advent of sound recording technologies, performers found themselves without legal protection, which led to effective steps to protect the rights of performers (the Berne Convention and the Rome Convention on the Protection of Performers, Phonogram Producers and Broadcasting Organizations), the International Convention for the Protection of Performers, Producers of Phonograms and Broadcasting Organizations was signed - the Rome Convention, which protected the rights of performers but was quite problematic in protecting the rights of performers in the Internet. The modern world has made the Internet accessible to all, which means that the rights of the performer can not be protected in the Internet space, because this space is large and it is almost impossible to control where the performance is spread or distorted, etc.
This actual character of the problem shows that the protection of the rights of the performer in the Internet requires thinking and reasoning. As a recommendation, ways to solve the problem are discussed, after which it is possible to protect the personal rights of the performer to some extent in the Internet. The paper shows that despite the existence of legislation, there are numerous cases in the court dealing with copyright infringement, so it is necessary to think about how to specifically protect - in this case - the rights of the performer in the Internet, which is quite problematic and clearly seen in this paper. The main purpose of the paper is to present the problem clearly and to achieve its solution.
The aim of the paper is to review the effectiveness of the means of protecting the rights of the performer, to identify the rights violated in the Internet space, to make recommendations on this issue. Qualitative research methods are used in the development of the paper and the information obtained from both primary and secondary sources is discussed. The problematic and topicality of the issue is shown, which is also confirmed by the fact that there is no legislation that regulates the Internet space and which protects the rights of the performer in the digital world.
With the advent of sound recording technologies, performers found themselves without legal protection, which led to effective steps to protect the rights of performers (the Berne Convention and the Rome Convention on the Protection of Performers, Phonogram Producers and Broadcasting Organizations), the International Convention for the Protection of Performers, Producers of Phonograms and Broadcasting Organizations was signed - the Rome Convention, which protected the rights of performers but was quite problematic in protecting the rights of performers in the Internet. The modern world has made the Internet accessible to all, which means that the rights of the performer can not be protected in the Internet space, because this space is large and it is almost impossible to control where the performance is spread or distorted, etc.
This actual character of the problem shows that the protection of the rights of the performer in the Internet requires thinking and reasoning. As a recommendation, ways to solve the problem are discussed, after which it is possible to protect the personal rights of the performer to some extent in the Internet. The paper shows that despite the existence of legislation, there are numerous cases in the court dealing with copyright infringement, so it is necessary to think about how to specifically protect - in this case - the rights of the performer in the Internet, which is quite problematic and clearly seen in this paper. The main purpose of the paper is to present the problem clearly and to achieve its solution.
Degree Name
სამართლის მაგისტრი
Degree Discipline
სამართალი
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Nino Kurligini.pdf
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პრევენციული ღონისძიებები შემსრულებლის პირადი უფლებების დასაცავად ინტერნეტსივრცეში
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(MD5):296cd8d3ea7cb277cd5bc6c269116c5a