ლია სტურუას შემოქმედება და 70-იანი წლების ქართული პოეზიის მხატვრული სააზროვნო სივრცე

Lia Sturua's poetry is interesting in various aspects. Critical literature highlights the characteristics of her poetic expression form, vers libre, wherein the subjective "Me" of the author is discernible. Sturua's distinction as a poet transcends the mere form and expression of her poems; it extends to a unique relationship with each word, showcasing her ability to delve into the profound layers of the Georgian language. In lyrical samples, we encounter an author for whom every lexical unit holds significance. The highly artistic facets of her poetic imagination are skillfully unveiled in both vers libres and sonnets.
This thesis aims to explore the key aspects of Lia Sturua's work within a contextual framework. To achieve this objective, we have identified and distinguished musical and pictorial elements, folklore or mythical variations, reminiscences, grammatical categories, and literary models related to urban space. Our investigation delves into how these themes are portrayed in lyrical samples. Additionally, to highlight the characteristics of Lia Sturua's creativity, we have discussed literary magazines and newspapers from the analysis period. We also examined the lyric collections of the poetic generation, featuring notable figures such as Besik Kharanauli, Mamuka Tsiklauri, Jarji Pkhoveli, Givi Alkhazishvili, Tedo Beki-shvili, Iza Orjonikidze, Guram Petriashvili, Rene Kalandia, Geno Kalandia, and Irakli Ba-zadze.
We employed the comparison-contrast method to provide a comprehensive under-standing of the issue. In conjunction with hermeneutic analysis, we utilized intertextual and intermedial research methods, incorporating elements of "aesthetic criticism." A thor-ough examination of relevant theoretical and literary sources was undertaken.
The paper's structure and analytical content allow us to contextualize Lia Sturua's work within the history of modern and centuries-old Georgian literature