იზორია, მაიამაიაიზორიაIzoria, MaiaMaiaIzoria2025-03-172025-03-172007https://openscience.ge/handle/1/8303By 1980-1990 Georgian ceramics with its individualities of creative power and multilateral ramifications of fine arts tendencies, represented cursedly arduous event. For the young generation, the typical individualism conferment their art with the disposition of alone standing person. But in the cosmopolitan or philosophical acknowledge of the selected theme the common attribute elicits. The wide spectrum of investigations, which are directed for the strengthen of the creation’s fine art incipient, for the one part of young people’s creation it purposes to challenge the associations which supervenes from the community, while others, in their own “micro” world, subordinate this effects to the symbolically rendition of the acknowledge ideas. Such method of approach stipulates the creation of thematic series, cycles, and with especial multiplity sculptural-spatial compositions which are decided in ensemblical way. Some works of exemplifications are: Q. Rukhadze, N. Tsitsishvili, O. Vepkhvadze, M. Izoria, L. Bagrationi, N. Eristavi, T. Grigolia, M. Khipiani, etc. In their creations, worlds’ leading artistic tendencies, connected with the cultural workers of the old Georgian ceramic school, naturally continues the uninterrupted tradition of the continuity of this sphere.kaქართულიკერამიკასკოლაინდივიდუალიზმისიმბოლურიკონცეპტუალურიGeorgianCeramicsSchoolIndividualismSymbolicConceptualtext::journal::journal article